This first release by Thomas Brinkmann occupies a very extreme position in the world of recorded music. There are no melodies. There is no reverb. There are just a few choice percussive sounds that play in the right channel and are almost exactly mimicked in the left channel, a half second later. That they don't line up perfectly is the essence of the effect, and the imperfections create a strangely soothing sound moiré. I find this record to be very comforting, like a warm, rhythmic groundplate. One of my all-time favorites.
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2 comments:
de onde voce é ?
Thanks! My files were corrupted for this one and could not salvage any of them!
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